Borderline Theatre Cordially Invites You to an In-Process Showing of Antigona 3.0 Made Possible by a Very Important Grant
by Marc David Pinate, Milta Ortiz, Jonathan Heras, Jesus I. Valles, Adam Cooper-Terán
Co-directed by Marc Pinate & Roweena Mackay
The pressure is on when a small Latiné theatre ensemble receives the biggest grant of their careers to write an adaptation of Antigone set in the borderlands. A postcolonial dark comedy that takes an irreverent look at the American Theatre, the US-Mexico border, and the generational trauma that has plagued us all from the ancient Greeks to present day Chicanx artists.
RUNTIME: 90 minutes
Cast
Playwright / “Mylta”
Milta Ortiz
Milta Ortiz an award-winning playwright is developing Anita, a musical in collaboration with composer Quetzal Guerrero at Borderlands Theater. Milta was a 2020-21 Projecting All Voices Mellon fellow at Arizona State University. Milta Ortiz an awardwinning playwright is developing Anita, a musical in collaboration with composer Quetzal Guerrero at Borderlands Theater. *Milta Ortiz Playwright/”Mylta” Milta was a 2020-21 Projecting All Voices Mellon fellow at Arizona State University. Milta directed The Candy Craze: A Sticky Situation in 2023, and Ballet & Bagels in 2022, plays she facilitated Pima students in writing, an ongoing project at Pima Community College. Pilar and Paloma was part of Launchpad’s 2021 Bipoc Reading Series Festival and Cleveland Public Theater Reading Festival (2023). Judge Torres, commissioned and produced by Milagro Theatre Group, toured nationally to universities (2019-2020). Milta is Associate Artistic Director at Borderlands Theater, where a few of her plays, including Sanctuary (2018) and Más (2015) have world premiered. Borderlands’ production of Más toured Arizona universities in the 2016-17 season. Más was produced at Ubuntu Theatre Project/Laney College (2016), Su Teatro (2017), and San Diego State University (2018). She devised, wrote and directed Solving for X for the Working Classroom in their 2016/2017 season. She earned an MFA from Northwestern University.
Co-Director / Playwright / “Mark”
Marc David Pinate
Marc David Pinate has worked with noteworthy theaters across the country including Magic Theatre, Campo Santo, El Teatro Campesino, ShadowLight Productions, Steppenwolf, and Victory Gardens. Pinate is the Producing Artistic Director of Borderlands Theater where he conceived and directed Mas, a docu-theater project about the banning of ethnic studies in Arizona incorporating indigenous ceremony; and the Barrio Stories projects – a series of large scale, site specific creative placemaking spectacles bringing professional artists in collaboration with community members and cross-sector partners to preserve the character and heritage of Tucson’s historic Mexican American neighborhoods. From 2018-2019 was part of the Arizona Creative Communities inaugural cohort, a one-year program, sponsored by Arizona State University’s Herberger Institute of Art and Design and the Arizona Commission on the Arts designed to develop placemaking and civic practice projects throughout the state of Arizona. His innovative efforts have been featured in American Theatre magazine, HowlRound, Arizona Daily Star, and Remezcla to name a few. He taught theatre at San Jose State University, and Pima Community College, University of Arizona where he also directed.
Playwright / “John”
Jonathan Heras
Jonathan Heras is an actor and singer from Yuma, Arizona and now a Tucson performing artist and member of the Borderlands Theater Ensemble. He has worked with various local theaters including Live Theatre Workshop, Stories That Soar, Gaslight Theater, and many more. He develops and writes content with a group of artists called Digital Desmadre to create content *Jonathan Heras Playwright/”John” and raise awareness through social media platforms. He has worked with youth as a theater teaching artist for over 10 years and is currently the director of education and development at Borderlands Theater and the musical director at Sal Pointe Catholic High School.
Media Design / “Atom (In The Booth)”
Adam Cooper-Terán
Adam Cooper-Terán (ACT) is a native of Tucson, Arizona, born from a mixed heritage of Mexican, Yaqui, and Jewish roots. Known for their collaborations among various performance troupes, theater companies, musicians, and dancers, Adam’s work has featured across the globe as large-scale media projections, musical interventions, and installations of digital storytelling. Adam’s work as a DIY performer, producer, and designer has led to residencies at Project Row Houses in Houston, Latino/Chicanx arts organization MACLA in San Jose, Teatro Tespys in El Carmen de Viboral, Colombia, Universidad Cd. Juárez, and the University of Rostock, Germany. Adam has garnered praise and support from academic and cultural institutions such as the MAP Fund, National Endowment for the Arts, National Performers Network, Network for Ensemble Theaters, Arizona State University, Belle Foundation, Foundation for Contemporary Arts, National Hispanic Cultural Center, and the International Sonoran Desert Alliance. Current projects involve the disruption of mainstream media, however possible, while continuing to support and augment underrepresented voices across the spectrum.
Musician / “Gerty Manuel”
Gertie Lopez
Gertie Lopez Is from the Chuichu Village, on the Tohono O’odham Nation and has become a prominent public figure and a leading force in the performance and preservation of Tohono O’odham culture and Waila music. She Is affectionately known as the “Queen of Waila” and was recently inducted into the Tucson Musicians Museum’s Hall of Fame. Gertie is the only female band leader on the Tohono O’odham Reservation. She has traveled to New York (Performed at the Native American Music Awards VIP Party), Washington D.C, (She sat in on a panel of Native Artist at the Library of Congress. Caborca Mexico, and performed in many places in the United States to share her Waila Music.
Gertie has been recognized for many awards. In 2012 she was nominated for the Governors Award as a musician Artist. In 2014 she played at the FinnFest USA in Minneapolis, Minnesota. In 2016 Gertie received “A Life-Time Achievement Award” from the Cultural Sounds of Tucson. In 2017 Gertie received a “Master of Apprentice Award from the Southwest Folklife Alliance in Tucson Az. In 2020 she played a Waila Concert at the Aura Jamboree in Aura, Michigan.
Gertie has taken 1st place in 7 battle of the bands and also receiving best accordion trophy. Gertie has also taken her Waila music Career into theater with playing her accordion in many shows with Borderland Theaters. (She performed a show in Denver, Colorado). She has 10 CDs recordings out including a Christmas CD.
Gertie was filmed in 1977 by PBS, Boston, and was also filmed in 2023 by PBS, University of Arizona. Gertie’s lifelong mission has been to preserve and share the traditional Waila music of the Tohono O’odham with the youth and to education all people of the beauty and joy of Tohono O’odham Waila music, language, and culture. She proudly represents the Tohono O’odham Nation and the State of Arizona. Feel Free to visit her website: gertieswailamusic.com – email: gertientheboyz@gmail.com – 520-268-6432
Credits
Written by
Marc David Pinate, Milta Ortiz, Jonathan Heras, Jesus I. Valles, Adam Cooper-Terán
Co-directed by
Marc David Pinate and Roweena Mackay
Dramaturgy by
Roweena Mackay
Projection and Sound Design
Adam Cooper-Terán
Lighting Design
Gregory James Houston
Scenic Design / Build
Genevieve Schroder
Choreographer
Jules Grantham
Production Photos + Videos
Development History
Commissioned (as Antigone at the Border) in 2019 with support from the National Performance Network Creation Grant (commissioning theatres: Su Teatro & International Sonoran Desert Alliance), National New Play Network Playwright Collaboration Grant (with Milagro Theater), and the Arizona Commission on the Arts New Works grant. In 2021, the project received a National Theatre Award from the New England Foundation for the Arts to reconceive it as a devised work in collaboration with Teatro Bravo and playwright Jesus I. Valles. For its third development phase, the project was taken over completely by the Borderlands Theater ensemble with playwright Jesus I. Valles expanding their contributions to the script. Official Selection: Latino Theater Company Encuentro 2024: National Theatre Festival.
About Borderlands Theater
Borderlands Theater strives to build equitable, joyful, and meaningful collaborations with the local community through innovative theater and responsive cultural programs ingrained in the heritage, narratives, and lived experiences of peoples rooted across the Sonoran Desert. Born out of the legacy of the Chicano Theatre troupe, Teatro Libertad, Borderlands Theater has produced more than 120 productions over 38 seasons as the only Latiné company in Southern Arizona. Positioning an Indigenous-Latiné couple to lead the company in 2014 upon the retirement of its founder, Borderlands Theater made bold changes to center the narratives and heritage of Mexican-American and Indigenous communities. This initiated the Barrio Stories Project which has invested $400,000+ into creative placemaking strategies directly influencing the re-establishment of a neighborhood association, re-opening of a public pool, reactivation of a community center, downtown development projects, and increased pride and civic participation in barrio communities. We are a tight-knit ensemble of 5 theater-makers, influenced by the ideals of the Chicano theatre movement, the aesthetics of experimentation and post-dramatic leanings, and the principles of civic practice. Our aesthetics combine large scale digital projections with popular theatre forms such as giant puppets and shadow theatre. Much of our work is presented site-specifically in riverbeds, under freeways, in churches, and parks – we go to the community. Borderlands Theater has collaborated with nationally renowned theater makers to develop and premier new works such as Joan Holden and the SF Mime Troupe for “13 Dias” (1995); Guillermo Reyes, “Deporting the Divas”(1996); MacArthur genius, Luis Alfaro “Electricidad” (2003); Emmy winning writer Hilary Betis “Ghosts of Lote Bravo” (2016); Virginia Grise’s adaptation of Helena Viramontes’ “Their Dogs Came With Them”(2019); Richard Montoya and Campo Santo “Nogales: Storytellers in Cartel Country” (2016).
Tech Rider
Coming soon!